Jerry Root

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  Splendour In The Dark

  $21.99

  Several years before he converted to Christianity, C. S. Lewis published a narrative poem, Dymer, which not only sheds light on the development of his literary skills but also offers a glimpse of his intellectual and spiritual growth. Including the complete annotated text of Lewis’s poem, this volume helps us understand both Lewis’s change of mind and our own journeys of faith.

  Several years before he converted to Christianity, C. S. Lewis published a narrative poem, Dymer, under the pseudonym Clive Hamilton. Later, of course, Lewis became well known for his beloved imaginative stories, such as The Chronicles of Narnia and Till We Have Faces, as well as his ability to defend and articulate the faith in works such as Mere Christianity. But what about his literary work before his conversion? In this fourth volume in the Hansen Lectureship Series, Jerry Root contends that Lewis’s early poem Dymer can not only shed light on the development of Lewis’s literary skills but also offer a glimpse of what was to come in his intellectual and spiritual growth-a “splendour in the dark,” to borrow one of Lewis’s own lines from the poem. Under Root’s careful analysis, Dymer becomes a way to understand both Lewis’s change of mind as well as the way in which each of us is led on a journey of faith. This volume also includes the complete text of Dymer with annotations from David C. Downing, co-director of the Marion E. Wade Center. The Hansen Lectureship series offers accessible and insightful reflections by Wheaton College faculty members upon the transformative work of the Wade Center authors.

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  Neglected C S Lewis

  $24.00

  Readers who can quote word for word from C.S. Lewis’s theological classic, Mere Christianity, or his science fiction novel, Perelandra, have often never read his work as a professional literary historian. They may not even recognize some of the neglected works discussed, here. Mark Neal and Jerry Root have done students of Lewis a great service, tracing the signature ideas in Lewis’s works of literary criticism and showing their relevance to Lewis’s more familiar books. Their thorough research and lucid prose will be welcome to all who would like to understand Lewis more fully, but who feel daunted by books of such evident scholarly erudition.

  For example, when you read The Discarded Image on the ancients’ view of the heavens, you understand better why Ransom has such unpleasant sensations when first descending toward Malacandra in Out of the Silent Planet. And when you come across Lewis’s discussion in OHEL of a minor sixteenth-century poet who described the hellish River Styx as a “puddle glum,” you can’t help but chuckle at the name when you meet the famous Marshwiggle in The Silver Chair. These are just two examples of how reading the “Neglected Lewis” can help every reader understand Lewis more fully.

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